Exotic India The Woman with the Lamp: A Form of Deepalakshmi (Large Size) – Brass Sculpture – Color Natural Brass Color

Um Ihnen bei ihrer Kaufentscheidung ein wenig zu helfen, sehen Sie hier die wichtigsten Eigenschaften und Funktionen von who is the lady with the lamp:

Topseller: Ok https://i.ytimg.com/vi/qQS-Zwsdc8k/maxresdefault.jpg Top
Preis/Leistung: OK https://onedaycreative.com/wp/wp-content/uploads/2016/05/fwSJjcN7oGTV1iZY8ZomLXMF.jpeg Sehr gut
Marke: Ok http://www.ancientpages.com/wp-content/uploads/2017/05/florenceNightingale1.jpg Sehr bekannt
Qualität: Ok https://sam-smith.net/wp-content/uploads/2013/05/wpid-Photo-May-8-2013-911-AM-e1368022422414.jpg Sehr gut
Beliebt: Ok https://i0.wp.com/www.episcopalcafe.com/wp-content/uploads/2017/08/Florence_Nightingale_as_the_lady_with_the_lamp._Oil_painting_Wellcome_V0017994-e1502419038308.jpg?fit=900,944 Sehr beliebt
Stil: klassisch https://upload.wikimedia.org/wikipedia/en/c/c4/ modern


Dimensions: 51.5 inch X 16.5 inch X 16.5 inch

Brass Sculptures: Buy Ganesha, Buddha & Nataraja Sculptures | ExoticIndia
Brass Sculpture
This exceptionally ornate brass statue, sublimity enshrining the faceof the represented figure, and rhythm, wreathed into her form intoevery curve and gesture of her parts, an icon usually classed asDeepalakshmi in Indian iconographic tradition, represents a youngwoman holding in her hands a large lamp. In ancient and medievalIndia, and even till recent times, transporting light in the form oflit lamps was a regular activity performed invariably by women, a maidor a household, at a palace or a hut. Held close to the bosom andoften protected from winds by a part of ones ensemble the lightcentring and reflecting on the face of the courier always multipliedits glow : the sensuous beauty of the young spouse and the divine auraon the mothers face. A local version of Rama-katha alludes toAnasuya, the wife of the known sage Atri, emerging from her hut with alit lamp in hands when around the evening Rama, Sita and Lakshmanareach Atris hermitage. The tradition contends that the light thatSita saw reflecting in the divine eyes of mother Anasuya was Sitaslight for ever and whenever she recalled it, darkness illuminated withlight.Obviously, in Indian context light always had divine dimensions, andeven when its courier was a maid possessed of sensuous beauty, she wasseen as having an amount of divinity as had an enlightening goddessand commanded respect. Sculptures of a lamp-carrying maiden beginappearing quite early, however, her classification as a goddess,especially as a form of Lakshmi who was associated with Diwali, thefestival of light, since long before, is datable to around the firsthalf of the seventeenth century. These statues of lamps carryingyoung women were initially used as articles of gift made to relatives,superiors and friends, a tradition which emerged first in South,p

who is the lady with the lamp: 
who is the lady with the lamp who is the lady with the lamp
who is the lady with the lamp who is the lady with the lamp
who is the lady with the lamp who is the lady with the lamp
who is the lady with the lamp who is the lady with the lamp
who is the lady with the lamp who is the lady with the lamp
Bilderarchive des Internets, wegen Urheberrecht nur als Textlink.


Es gibt noch keine Bewertungen.

Schreibe die erste Bewertung für „Exotic India The Woman with the Lamp: A Form of Deepalakshmi (Large Size) – Brass Sculpture – Color Natural Brass Color“

Deine E-Mail-Adresse wird nicht veröffentlicht. Erforderliche Felder sind mit * markiert.